Concerts - Past

Kolarac Hall
Belgrade, Serbia
Saturday, 28 May 2016 - 8:00 PM
Zagreb, Slavonski Brod, Belgrade and Novi Sad premieres
Presenters: Antiphonus; Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; New Trinity Baroque; Studio for Early Music
Monteverdi: L'Incoronazione di Poppea
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Monteverdi: Gloria a 7, SV 258
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
Marini: Passacaglio
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Bach: Der Herr denket an uns, BWV 196
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
Purcell: Chacony for Strings in G minor, Z 730
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Galuppi: Dixit Dominus in B minor
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
Church of Holy Trinity
Slavonski Brod, Croatia
Sunday, 8 May 2016 - 8:00 PM
Zagreb, Slavonski Brod, Belgrade and Novi Sad premieres
Presenters: Antiphonus; Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; New Trinity Baroque; Studio for Early Music
Monteverdi: L'Incoronazione di Poppea
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Monteverdi: Gloria a 7, SV 258
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
Marini: Passacaglio
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Bach: Der Herr denket an uns, BWV 196
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
Purcell: Chacony for Strings in G minor, Z 730
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Galuppi: Dixit Dominus in B minor
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
Church of St. Catherine
Zagreb, Croatia
Sunday, 24 April 2016 - 8:00 PM
Zagreb, Slavonski Brod, Belgrade and Novi Sad premieres
Presenters: Antiphonus; Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; New Trinity Baroque; Studio for Early Music
Monteverdi: L'Incoronazione di Poppea
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Monteverdi: Gloria a 7, SV 258
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
Marini: Passacaglio
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Bach: Der Herr denket an uns, BWV 196
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
Purcell: Chacony for Strings in G minor, Z 730
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Galuppi: Dixit Dominus in B minor
Ensembles: Antiphonus; New Trinity Baroque
Conductor: Predrag Gosta
The members of Antiphonus intertwined after a long period of singing and music-making in various groups. Educated musicians of various profiles, they finally crystallised in a homogeneous group in 2006. Nourishing the sound that aims at a melange between the tradition of a full bodied eastern European vocal sound and the western balance and purity, they are building a wide-range repertoire-from the plainchant to the recently written, cross-over, or commissioned works. Paying special attention to the Croatian contemporary music, Antiphonus premiered pieces of the Croatian foremost authors, but also gave the first contemporary performances of the newly emerged works from the dusty libraries. Antiphonus performed at every major Croatian Festival, including Dubrovnik Summer Festival, Music Biennale, Dubrovnik Early Music Festival and Varaždin Baroque Evenings; upon last summer’s tour on the SEVIQC Festival with Monteverdi’s madrigals, the Slovenian Radio engaged Antiphonus to record them, together with the works of Slovenian baroque composers. Their performance crowned the festive concert of the Croatian joining the EU and represented Croatia at the national festival in Paris 'Croatie, le voici'; the group records frequently for the Croatian Television, and it’s album of the Croatian renaissance and baroque music, recorded with Dmitry Sinkovsky, Krešimir Špicer and Edin Karamazov among others, is to be released within a few months.

Clanovi Antiphonusa iskristalizirali su se tijekom dugog procesa zajednickog muziciranja u raznim sastavima. Glazbenici razlicitih profila grade delikatan repertoar, njegujuci djela sa samih pocetaka europske glazbe, ali i najsuvremenije opuse domacih i inozemnih skladatelja. Od osnutka 2008. godine, ansambl je nastupao na gotovo svim hrvatskim festivalima, a osim niza samostalnih koncerata, snimio je tri programa za HRT. Ansambl redovito nastupa na koncertima pod pokroviteljstvom Ministarstva kulture. Antiphonus je 2012. godine predstavio Hrvatsku na festivalu hrvatske kulture u Francuskoj „Croatie, le voici“ i ostvario iznimno zapažen nastup na zagrebackom Biennalu, kao i na svecanoj priredbi povodom ulaska RH u EU. Antiphonus je 2013. godine nakon opsezne ljetne turneje i nastupa na VBV snimio CD s programom hrvatske rane glazbe, u suradnji sa sjajnom ekipom hrvatskih solista i instrumentalista i audiofilskom kucom Opus3. Prošle je godine, u suradnji s MUO, Antiphonus s osobitim zadovoljstvom, ali i uspjehom, predstavio koncertnu sezonu obilježenu Monteverdijevim madrigalima i hrvatskim praizvedbama. Nakon ljetošnje turneje po Sloveniji u sklopu festivala SEVIQC, Antiphonus je pozvan da snimi za Slovenski radio Monteverdijeve madrigale i slovenske barokne majstore.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Studio for Early Music
XXX: Ciaccona dell paradiso, e dell' inferno
Monteverdi: Si dolce è'l tormento
Uccellini: Aria sopra "La Bergamasca"
Monteverdi: Lamento della Ninfa
Cavalli: La Didone
Monteverdi: O, Teseo
Vivaldi: Concerto per liuto
Monteverdi: Vagho augeletto, Combattimento
Artists: Kresimir Spicer (Tenor); Edin Karamazov
Ensemble: Antiphonus
Kolarac Hall
Belgrade, Serbia
Wednesday, 24 June 2015 - 8:00 PM
Ansambl koji se danas zove Temenos, poceo je da nastaje još davne 2003. godine u okviru Barokne radionice na Fakultetu muzicke umetnosti u Beogradu. Tokom 2007. godine formira se okosnica ansambla koji se na prvom mestu opredeljuje za istraživanje, izvodenje i rad na vecoj zastupljenosti muzike francuskog baroka, cime postaje jedan od retkih ansambala u zemlji koji se iskljucivo bavi tom granom barokne muzike. Ansambl Temenos je do sada imao nastupe u okviru Beogradskog festivala rane muzike (2012), Evropskog dana stare muzike na FMU (2013, 2014), kao i nastupe u saradnji sa Fakultetom umetnosti iz Niša i Francuskim kulturnim centrom. Clanovi Temenosa, osim rada u ovom ansamblu, istovremeno su aktivni, kao solisti i kamerni muzicari i u drugim oblastima muzicke scene u zemlji i inostranstvu.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Makris Foundation; Studio for Early Music
Lully: Opera and ballet music
Marais: Alcione - Tragédie en Musique (Acte III - Scène II)
Couperin: Le rossignol en amour
Lebègue: Pièces de clavecin en la
Marais: Les Folies d'Espagne
Ensemble: Temenos
Crkva Svetog Petra
Belgrade, Serbia
Tuesday, 23 June 2015 - 8:00 PM
Block6 The Hague je ansambl koji cine umetnici razlicitog porekla koji sviraju blok flaute. Clanovi studiraju na Kraljevskom Konzervatorijumu u Hagu a dolaze iz Koreje, Francuske, Japana, Holandije i Švajcarske i na taj nacin doprinose svojom raznolikošcu.
Ansambl vodi Daniel Brüggen, koji je specijalista i clan kvarteta Loeki Stardust.
Repertoar ansambla Block6 The Hague cine vecinom renesansna dela, koja izvode na kopijama instrumenta korišcenih u tom periodu.
Sviranje šest instrumenata zajedno je izazovno i obogacujuce iskustvo. To može dovesti do magicnih trenutaka koje se nadaju da ce biti u stanju da podele sa vama.

Block6 The Hague is a recorder ensemble with 6 players from different background and origin. Players are studying at the Royal Conservatory of The Hague and come from Korea, France, Japan, Netherlands and Switzerland bringing an appealing diversity. Daniel Brüggen, who is a consort specialist and member of the Loeki Stardust Quartet, coaches the group.
The repertoire consists of mainly renaissance music and is performed on copies of recorders that were in use during this period.
Playing 6 recorders together is a challenging and enriching experience.
It can bring about magical moments, which we are hoping to be able to share with you.

Karte se kupuju na blagajni Kolarca ili sat vremena pre pocetka koncerta u Crkvi Sv. Petra.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Studio for Early Music
Morales: Kyrie de la misa Mille Regretz
Byrd: Pavan à 6, Galliard à 6
Daman: Beati Omnes
Holborne: Bona Speranza, The Tears of the Muses, Muy Linda
Daman: Di Sei Soprani
Simpson: Lazers Pavan, Galliard, Volta
Van Eyck: When Daphne from fair Phoebus did fly
Strogers: In Nomine
Tye: In Nomine 'crye'
Taverner: Quemadmodum
Dowland: King of Denmark, his Galliard, P 40
Morales: Agnus Dei de la misa Mille Regretz
Ensemble: Block6 The Hague
Jevrejska opština
Belgrade, Serbia
Monday, 22 June 2015 - 8:00 PM
Olga Petrovic Was born in Belgrade Serbia.
She started her Musical education at the age of 6 playing Piano.
Later on in year 2000 she discovered Harpsichord in the Secondary music School „Josip Slavenski“ in the class of Prof. Svetlana Stojanovic Kutlaca.
She have continued to play both instruments activly.
After finishing her studies of Piano in the „University for Music Belgrade“ in 2009 same year she have successfully passed the entrance examination for Early music Department at the „Universitat Mozarteum Salzburg“ in the class of Prof. Wolfgang Brunner, and have finished her Bachelor degree of Harpsichord on March 13th 2015.
She have take part on many international Master classes and festivals and some of them include Belgrade Harpsichord Festival from 2004-2009 Master classes in Czech Republic and Austria.
She is performing regularly solo and Chamber music ansambels playing repertoar from Early Baroque till early Classic.
Numerous concerts include countries like Serbia Austria Czech republic.
From March 17th 2015 she is studying Harpsichord Master degree with Wolfgang Brunner at the same University and have also passed the entrance Examination for Longy School of music in Boston.

Shen-ju Chang was born in Kaohsiung City, Taiwan. After her studies on the Violoncello at Universität für Musik und darstellende Kunst Graz and Universität für Musik und darstellende Kunst Wien she subsequently begun studying playing Viola da gamba at Mozarteum with Vittorio Ghielmi and completed her master degree with the highest score in 2014. She has already performed as soloist and also in chamber music ensembles numerous concerts in Taiwan, Japan, Russia and several countries of Europe with repertoires which includes music from Renaissance till early Classik. She was participant of the Berlin Bach competition in 2013 and Biagio Marini Competition 2014, and she is since 2012 author of the Taiwanese online early music magazine.

Karte se kupuju na blagajni Kolarca ili sat vremena pre pocetka koncerta u Svecanoj sali Jevrejske opštine.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Studio for Early Music
Bach: Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027
Bach: Prelude and Fugue in D minor
Bach: Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028
Abel: Arpeggio in D minor from MS Drexel
Bach: Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029
Artists: Olga Petrovic (Harpsichord); Shen-ju Chang (Viola da gamba)
Kolarac Hall
Belgrade, Serbia
Sunday, 21 June 2015 - 7:00 PM
Barokni ansambl Artemandoline je osnovan 2001. godine i posvecen je obnavljanju muzike za mandolinu i druge istorijske instrumente, kao što su gitare i laute. Svirajuci na instrumentima iz perioda baroka i renesanse ansambl je, kroz istraživanja i obimna proucavanja ranih instrumenata i tipova sviranja na njima, imao za cilj da približi muziku kompozitora kao što su Skarlati, Vivaldi i Vajs u što autenticnijem obliku. Grupa je takode posvecena oživljavanju zaboravljenih remek-dela baroknog repertoara i blisko je radila sa eminentnim producentima, izdavacima, muzikolozima i graditeljima instrumenata.
Ansambl je nastupao na festivalima rane muzike širom Evrope, kao i na drugim kontinentima. Izdavacka kuca Deutsche Harmonia Mundi je nedavno izdala njihov novi album Sospiri d'amanti zajedno sa sopranom Nuria Rial. Medu prethodna izdanja ubrajaju se i dva albuma izdavacke kuce Brilliant Classics iz 2013. godine.

Founded in 2001, Artemandoline is a baroque ensemble dedicated to the revival of the mandolin and other period instruments such as guitars and lutes. The group, playing on Renaissance and Baroque period instruments, prides itself on its through research and has undertaken extensive study of early instruments and playing styles in order to approach the music of composers auch as Domenico Scarlatti, Vivaldi and Weiss as authentically as possible. It is also dedicated to reviving forgotten masterpieces of the baroque repertoire and has worked closely with eminent sound producers, publishers, musicologists and instrument makers.
Artemandoline has played at early music festivals all over Europe and beyond. The ensemble has recently released the new album "Sospiri d'amanti" with soprano Nuria Rial on the label Deutsche Harmonia Mundi. Previous recording activity includes two albums on Brilliant Classics in 2013.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Early Music Festival; Early Music Network; Makris Foundation; Studio for Early Music
Dall'Abaco: Concerto a più Instrumenti, op. V. 6
Scarlatti: Sonata K90
Brescianello: Sinfonia V
Matteis: Ciacona
Vivaldi: Concerto in sol maggiore RV532
Uccellini: La Bergamasca
Ensemble: Artemandoline
Crkva Svetog Petra
Belgrade, Serbia
Saturday, 20 June 2015 - 8:00 PM
Karte se kupuju na blagajni Kolarca ili sat vremena pre pocetka koncerta u Crkvi Sv. Petra.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; New Trinity Baroque; Studio for Early Music
Buxtehude: Membra Jesu nostri, BuxWV 75
Artists: Radoslava Vorgic (Soprano); Dragana Popovic (Mezzo Soprano); Bojan Bulatovic (Countertenor); Stevan Karanac (Tenor); Sreten Manojlovic (Baritone)
Ensemble: New Trinity Baroque
Conductor: Predrag Gosta
Jevrejska opština
Belgrade, Serbia
Friday, 19 June 2015 - 8:00 PM
André Laurent O'Neil (SAD) je clan ansambla New Trinity Baroque (pod upravom Predraga Goste) od 2003. godine, prvo kao violoncelista, a od nedavno i kao gambista. Kao solista je svirao Vivaldijev koncert sa New Trinity Baroque na komapkt disku koji je izdao Edition Lilac.
Kao clan ansambla NTB nastupao je na festivalu Piccolo Spoleto Festival (Charleston, South Carolina), kao i nekoliko puta u Beogradu na Festivalu rane muzike.
André je diplomirao na Jejlu sa najvišom ocenom. Nakon toga je radio u Simfonijskom orkestru Kastilje i Leona u Španiji. Takodje je ucio sviranje baroknog violoncela sa Jaap ter Linden u okviru programa rane muzike i istorijske prakse na Kraljevskom konzervatorijumu u Hagu. Po povratku u SAD, nekoliko godina je radio u bostonskom orkestru Handel & Haydn Society.
André Laurent O'Neil živi u Albany, svira violoncelo, viola de gambu i klavir u okviru ansambla Capitol Chamber Artists, gde takodje premijerno izvode i njegove kompozicije. Takodje se bavi baštovanstvom i predaje violoncelo.
André svira originalno John Morrison violoncelo (London, 1800).

André Laurent O'Neil (USA) first collaborated with Predrag Gosta in 2003, performing with New Trinity Baroque, and has been a core member of NTB under Maestro Gosta’s direction since 2006 on cello, and more recently, viola da gamba. He is proud to be a featured soloist on New Trinity Baroque’s own self-produced Vivaldi Concertos CD. As an NTB member he has been in residence at the Piccolo Spoleto Festival in Charleston, South Carolina, and also performed in Belgrade on four previous occasions, most recently for past editions of the Belgrade Festival of Early Music.
André studied cello with Aldo Parisot at Yale College, graduating with honors. Later he moved to Spain where he worked fulltime as cellist with the Orquesta Sinfónica de Castilla y León. From there he went to the Netherlands to study baroque cello with Jaap ter Linden in the Early Music and Historical Performance Program at the Royal Conservatory in The Hague. After returning to the United States, André worked for two seasons with Boston’s Handel & Haydn Society.
In Albany he plays cello, viola da gamba and fortepiano with Albany (NY)’s Capitol Chamber Artists, which has also premiered his compositions. He is passionate about gardening and about teaching students.
André plays an original John Morrison violoncello (London, 1800).

Karte se kupuju na blagajni Kolarca ili sat vremena pre pocetka koncerta u Svecanoj sali Jevrejske opštine.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; New Trinity Baroque; Studio for Early Music
Bach: Suite no. 4 in Eb major, BWV 1010
Bach: Suite no. 2 in D minor, BWV 1008
Bach: Suite no. 3 in C major, BWV 1009
Kolarac Hall
Belgrade, Serbia
Thursday, 18 June 2015 - 8:00 PM
Internationally acclaimed as one of Italian excellence in the early music for its interpretative verve which combines extraordinary and inspired vitality with philological authenticity, Il Rossignolo is an ensemble - whose component parts vary on the basis of repertoire - which specializes in the study and performance of early music played on historical instruments. The group was founded and is coordinated by flute players Marica Testi and Martino Noferi and harpsichordist Ottaviano Tenerani, who is also the conductor.
The group's recording activity has led to the production of important rediscoveries in recent times such as the Madrigali et canzonette a cinque voci by Orazio Caccini, Sinfonie da camera by G.B. Martini, and Notturni a quattro by G.B. Sammartini (“A marvelous album!” – Classical Music). The group's recording projects from a more widely known repertory include Scarlatti's Concerti e Sinfonie and Vivaldi's Concerti per violino et organo. Their production of Le Sonate op. 2 by Benedetto Marcello/Sonate a solo cembalo, was acclaimed by Musicweb International as “a brilliant interpretation, as we well expect from Italian musicians playing Italian music . . . “, and was named one of the year's best albums.
Il Rossignolo has recently signed a recording contract with Sony Classical International. The first product of this collaboration was Germanico, an opera recently rediscovered by Il Rossignolo and attributed to Georg Friedrich Händel. Only months after its release, the record was acclaimed by classical music publications as “a planetary success”. It has won awards in France (Muse d'Or), the U.K. (record of the month, Gramophone Awards Issue, BBC Music Magazine, October 2011), Germany (Five Star CD Award, Financial Times Deutschland; Album of the Week, NDR Kultur.de), Italy (Five Star CD Award, Classic Voice; CD of the Month, Sat Guide), and was No. 1 on the SONY/DHM Best Sellers' chart for a considerable length of time.
Il Rossignolo is the ensemble in residence at the Istituto di Alta Formazione Musicale Rinaldo Franci in Siena, Italy, where it coordinates the Department of History of Musical Interpretation which offers courses in ancient musical instruments and chamber music.
To complete its flourishing musical and musicological activities, in 2010 the group founded its own publishing company, Le Edizioni Il Rossignolo, thereby providing a direct means to present its various activities including publications, urtext editions, facsimiles, critical editions and studies.
Since 2013 the group is among the Top Artists in the new catalog of Sony Classical, with which has a program of recordings of works by Handel, Antonio Caldara and Alessandro Scarlatti.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Studio for Early Music
Telemann: Trio Sonata TWV 42:e2
Prowo: Sonata a 3 Flauto Travers: Flauto a bec con Basso
Bach: Trio Sonata for 2 Flutes and Basso Continuo in G major, BWV 1039
Vivaldi: Sonata a tre Op. 1/XII La Follia
Marais: Suite de pieces en trio
Sammartini: Sonata in re minore a due flauti e basso
Ensemble: Il Rossignolo
Kolarac Hall
Belgrade, Serbia
Wednesday, 17 June 2015 - 8:00 PM
Advokat novog, retkog ili neobicnog, Edin Karamazov prati jedinstvenu umetnicku viziju, kombinujuci duh smelog istraživanja sa zadatkom proširenja krajnjih granica tehnike i repertoara za gitaru i lautu. Dobitnik je prestižnih nagrada Edison Award (2002), Premio Cubadisco za najboljeg stranog muzicara na Kubi (2009), bio je nominovan za nagrade Grammy (2001), Brit Award (2007), Premio Goffredo Petrassi za najboljeg instrumentalistu u Italiji (2011), Diapason d'Or i još nekoliko drugih priznanja. Krzystof Penderecki, Arvo Part, Erkki-Sven Tuur, Peter Sculthorpe, kao i kompozitori za gitaru Leo Brouwer, Dušan Bogdanovic i Nikita Koshkin napisali su važna dela za gitaru ili lautu, posvecena Edinu Karamazovu.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Studio for Early Music
Bach: Suite for Cello solo no 1 in G major, BWV 1007
Bach: Partita for Violin solo no 2 in D minor, BWV 1004
Arranger: Edin Karamazov
Katedrala Blažene Djevice Marije
Belgrade, Serbia
Tuesday, 16 June 2015 - 8:30 PM
Ivan Božicevic, kompozitor, orguljaš, pijanista, aranžer i jazz muzicar. Kompoziciju je studirao i magistrirao na FMU u Beogradu (A. Obradovic) a orgulje na Hochschule für Musik u Frankfurtu (E. Krapp). Ranu muziku je usavršavao na Univerzitetu u Salamanki (G. Bovet, M. Torrent). Autor je cetiri simfonijske kompozicije, kao i brojnih kamernih, solistickih, horskih i elektronskih dela. Interesuju ga razliciti žanrovi i mogucnosti njihovih medusobnih prožimanja. Njegova dela se izvode i snimaju širom Evrope i SAD-a, objavljena su na 15 nosaca zvuka i štampana kod nekoliko americkih izdavaca. Nekoliko projekata je trenutno u završnoj fazi, medu kojima se istice štampanje kompozicije Yuku haru ya za osmoglasni hor u izdanju nemacke kuce Schott.

Osim domacih priznanja (Hristiceva nagrada, Srebrna medalja Univerziteta umetnosti u Beogradu), Božicevic je dobitnik brojnih kompozitorskih nagrada u inostranstvu – ArtsLink Fellowship Award, Garth Newel Composition Award, Third Millenium Ensemble Award, Alienor Harpsichord Composition Award, Asylum Saxophone Quartet Prize (SAD), John Clare Society Award, Invitation to Composers Project (Velika Britanija), nagrada na konkursu Hora Praške Filharmonije (Ceška), nagrada na konkursu ansambla Sofijski solisti (Bugarska). Kao autor orguljske muzike, nositelj je dvostrukog priznanja Americkog udruženja orguljaša (AGO): njihove nagrade za delo sa horom i orguljama za 2014. godinu (AGO/ECS Publishing Award, kompozicija Kyrie eleison), kao i nagrade za solisticku orguljsku kompoziciju (2016 AGO/Marylin Mason Award) za delo Moonpiper, koje ce biti premijerno izvedeno na nacionalnoj konvenciji AGO 2016. godine u Hjustonu.

Die Kölner Akademie je jedinstveni ansambl sa sedištem u Kelnu. Oni izvode muziku iz perioda od 17. do 21. veka na istorijskim instrumentima sa svetski renomiranim gostujucim solistima.
Ansambl nastoji da prikaže originalne zamisli kompozitora koristeci istorijske planove sedenja clanova orkestra, kriticka izdanja i pravilnu instrumentaciju za svako delo. Kelnska akademija je primila najveca priznanja kritike za svoje nastupe na velikim festivalima i koncertnim salama u Evropi, Južnoj Americi, Severnoj Americi, Aziji i Bliskom Istoku. Mnoga od ovih izvodenja su prenošena uživo, a neka su snimljena za televiziju.
Premijerno su snimili više albuma sa delima manje poznatih kompozitora kao što su. Njihov komakt disk sa simfonijama Bernarda Romberga dobio je Supersonic nagradu.
Die Kölner Akademie vec nekoliko godina radi na snimanju Mocartovih klavirskih koncerata sa pijanistom Ronaldom Brautiganom za izdavacku kucu BIS. Ovi albumi su dobili veliko internacionalno priznanje.

Karte se kupuju na blagajni Kolarca ili sat vremena pre koncerta u Katedrali Blažene Djevice Marije.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Studio for Early Music
Corrette: Concerto for Organ no 1 in G major
Brixi: Organ concerto nr. 5 in F major
Clérambault: Suite du premier ton
Handel: Organ concerto in F op. 4 Nr. 4
Artist: Ivan Bozicevic
Ensemble: The Cologne Academy
Conductor: Michael Willens
Kolarac Hall
Belgrade, Serbia
Monday, 15 June 2015 - 9:00 PM
Violinista Danilo Novakovic je diplomirao je u klasi profesora Aleksandra Pavlovica 1995. godine na FMU u Beogradu. Studije violine nastavlja u Holandiji kod prof. Emmy Verhey i prof. Chrisa Duindama, a postdiplomske studije upisuje 2000. na Roterdamskom muzickom konzervatorijumu u klasi Benziona Shamira. Godine 2005. stice diplomu baroknog violiniste na Muzickom kozervatorijumu u Utrehtu kod prof. Antoinette Lohmann.
Barokni ansambl Tempera Barocca osniva 2007. godine sa kojim je nastupio na više koncerata i festivala u zemljama Balkana i šire. Takode je gost-koncertmajstor ansambala za ranu muziku kao što su Roterdamski barokni ansambl, Lajden barokni ansambl, Orkestar teatra Luire-Barselona.
Godine 2012. zapocinje saradnju sa Lanom Jelenkovic, solistkinjom na orguljama, cembalu i klaviru. Specificnost ovih instrumenata, široki spektar njihovih kolorativnih, akustickih i dinamickih kvaliteta, navodi ovaj duo da produbi svoja interesovanja za svetsku muzicku baštinu. Programi njihovih koncerata sadrže, kako retko izvodena dela renesanse i ranog baroka, tako i kompozitore 20. veka. Sa takvom muzickom idejom, ovaj duo je imao uspešnu premijeru 2013. godine.
Lana Jelenkovic je diplomirala na odseku orgulja 2004. godine u klasi profesora Andrije Galuna i magistrirala 2010. godine u klasi profesora Maje Smiljanic Radic na Fakultetu muzicke umetnosti u Beogradu.
Usavršavanje je nastavila 2006. godine u Nemackoj gde je 2009. godine koncertnom diplomom završila postdiplomske studije orgulja na Fakultetu muzicke umetnosti u Vircburgu (Hochschule für Musik, Würzburg), na istoj akademiji, na Odseku za staru muziku, studirala je istorijske instrumente sa dirkama (cembalo, klavikord i fortepiano) gde je 2010. diplomirala, a 2012. magistrirala cembalo u klasi profesora Glena Vilsona.
Paralelno je završila Internacionalne master studije Organ Expert na Fakultetu muzicke umetnosti u Trosingenu na Univerzitetu Tor Vergata u Rimu.
Ðorde Miloševic je diplomirao violoncelo na FMU u Beogradu, Tokom školovanja ucio je u klasama profesora Relje Cetkovica i Sandre Belic. Od 2005-2007. godine bio je stipendista Ministarstva kulture i obrazovanja Luksemburga gde se usavršavao na Nacionalnom muzickom konzervatorijumu u klasi profesora Kloda Ðampelegrinija. Poslednji niz godina u Srbiji i inostranstvu nastupa kao barokni violoncelista, interpretirajuci ranu i baroknu muziku na autentican nacin. Jedan je od osnivaca ansambla "Beogradski Barok" sa kojim je ostvario veliki broj koncerata u Srbiji, Hrvatskoj i Švedskoj. Godine 2010. postaje clan medunarodnog baroknog orkestra "Balkan Baroque Band" sa kojim beleži uspešne koncerte u Francuskoj, Grckoj, Rumuniji i Bugarskoj, kao i audio i video zapise, od kojih se izdvajaju snimci za ERT i European Broadcasting Union.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Early Music Festival; Early Music Network; Makris Foundation; Studio for Early Music
Castello: Sonata Seconda
Uccellini: Sonata quarta detta "La Hortensia virtuosa" op. 4
Frescobaldi: Toccata prima (Il secondo libro di toccate)
Froberger: Toccata prima in a
Telemann: Fantasie 5 & 9
Gabrielli: Cello sonata in G Minor
Pandolfi-Mealli: Violin sonata "La Vinciolina" Op. 4, No. 6
Schmelzer: Unarum Fidium Sonata quarta
Ensemble: Tempera Barocca
Die Kölner Akademie is a unique ensemble based in Cologne which performs music of the seventeenth through the twenty first centuries on both modern and period instruments with world renowned guest soloists.

The ensemble seeks to bring out the composers' intentions by using historical seating plans, critical editions and the proper instrumentation for each work.

Die Kölner Akademie has received the highest critical acclaim for its outstanding performances at major festivals in Germany, Austria, France, Spain, Holland, Italy, Belgium, Estonia and Iceland. Many of these performances were broadcast live and several were filmed for television. The group’s first CD, a recording Johann Valentin Meder’s "St. Matthew Passion” for Raumklang received 5 stars in Goldberg, Fono Forum, Musik und Kirche and excellent reviews in Concerto (Germany), EARLY MUSIC (UK) and the Record Geijutsu (Japan). This has been followed by the highly praised series “Forgotten treasures” on the ARS Produktion label. This series now stands at ten recordings of a planned total of fifteen. These include world premiere recordings of works by lesser-known composers including Crusell, Danzi, Pichl, Vanhal, Wilms, Romberg, Neukomm, Fischer, Kunc, Jeanjean, D'Alvimare and Steibelt. The CD of symphonies by Bernhard Romberg received a SUPRSONIC prize. In addition, Die Kölner Akademie has released world premiere recordings of music by Mattheson, Ries and Eberl for CPO as well as a premiere recording of the Glöckner/Hellmann reconstruction of J.S. Bach's St. Mark Passion.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Early Music Festival; Early Music Network; Makris Foundation; Studio for Early Music
Ferdinand Fischer: Journal de printemps Suite no. 2 in a minor for strings and bc
Molter: Concerto in D for oboe, strings and bc
Molter: Concerto in G for flute, strings and bc
Wagenseil: Concerto in F for harpsichord, strings and bc
Telemann: Concerto for Viola in G major, TV 51 no G 9
Kolarac Hall
Belgrade, Serbia
Sunday, 14 June 2015 - 6:00 PM
From an idea of Simone Vallerotonda, they born "I Bassifondi", ensemble that proposes the music of the '600 and '700 for lute, archlute, theorbo and baroque guitar, with the accompaniment of basso continuo. The wish to create a common executive language and improvvisation, pushes the musicians that make part of it, to propose authors less known of the world of plucked instruments, but not less important, offered in their authenticity. Invited in the most important festivals of ancient music, as the lute and guitar players of the past, they travel together accross the Europe, always trying to serenely enjoy their own music.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Early Music Festival; Early Music Network; Makris Foundation; Studio for Early Music
Kapsberger: Libro IV d'intavolatura di chitarone
Foscarini: Li cinque libri della chitarra spagnola
Bartolotti: Secondo libro di chitarra
Carbonchi: Le dodici chitarre spostate
Murcia: Codex Saldivar
Corbetta: Varii capricii per la ghittara spagnuola
Artists: Gabriele Miracle (Timpani); Simone Vallerotonda (Baroque Guitar)
Ensemble: I Bassifondi
Kolarac Hall
Belgrade, Serbia
Saturday, 13 June 2015 - 8:00 PM
Jubilarni 10. Festival bice svecano otvoren Baroknim gala koncertom Operske arije i instrumentalni hitovi na kojem ce nastupiti udruženi barokni internacionalni orkestar na istorijskim instrumentima. Na ovom izuzetnom dogadaju ce nastupiti vokalni i instrumentalni umetnici iz Evrope i Sjedinjenih Americkih Država. Na repertoaru ce biti dela najpoznatijih baronih kompozitora A. Vivaldija, Ž. B. Lilija, G. F. Hendla i drugih.

Karte se kupuju na blagajni Kolarca.
Popust od 20% na 5 i više koncerata Festivala.
Popust od 30% na komplet karata za ceo 10. Festival rane muzike.
Popust od 50% na dan koncerta za studente (uz indeks).
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Makris Foundation; New Trinity Baroque; Studio for Early Music
Vivaldi: L'Olimpiade, RV 725
Ensembles: Belgrade Baroque Soloists; Il Rossignolo; Makris Symphony Orchestra; New Trinity Baroque; The Cologne Academy
Conductor: Predrag Gosta
Handel: Orlando, HWV 31
Artists: Ana-Marija Brkic (Soprano); Radoslava Vorgic (Soprano); Dragana Popovic (Mezzo Soprano); Bojan Bulatovic (Countertenor); Sreten Manojlovic (Baritone)
Ensembles: Belgrade Baroque Soloists; Il Rossignolo; Makris Symphony Orchestra; New Trinity Baroque; The Cologne Academy
Conductor: Predrag Gosta
Handel: Rinaldo, HWV 7
Artists: Ana-Marija Brkic (Soprano); Martino Noferi (Oboe); Ilia Korol (Violin)
Ensembles: Belgrade Baroque Soloists; Il Rossignolo; Makris Symphony Orchestra; New Trinity Baroque; The Cologne Academy
Conductor: Predrag Gosta
Handel: Giulio Cesare, HWV 17
Artist: Bojan Bulatovic (Countertenor)
Ensembles: Belgrade Baroque Soloists; Il Rossignolo; Makris Symphony Orchestra; New Trinity Baroque; The Cologne Academy
Conductor: Predrag Gosta
Handel: Arrival of the Queen of Sheba
Ensembles: Belgrade Baroque Soloists; Il Rossignolo; Makris Symphony Orchestra; New Trinity Baroque; The Cologne Academy
Conductor: Predrag Gosta
Kulturni centar Beograd
Belgrade, Serbia
Sunday, 16 November 2014 - 8:00 PM
Uprkos tome što se otac strogo protivio muzickoj karijeri sina Georga Fridriha Hendla (1685-1759), on je postao jedan od najpoznatijih baroknih kompozitora. Napisao je 42 opere, 29 oratorijuma, brojne sonate, motete, anteme, koncerta grosa i koncerte za orgulje, a njegova najpoznatija dela su Muzika na vodi, Muzika za kraljevski vatromet, oratorijum Mesija, opere Orlando i Julije Cezar.

Mladi Hendl je u drugoj polovini 1706. godine otputovao u Italiju, gde je naredne tri godine živeo u Toskani, Firenci i Rimu. Utisak koji je na njega ostavila ova zemlja, muzika, kao i virtuozni pevaci koje je imao priliku da cuje, odrazili su se na citavo njegovo stvaralaštvo. Italijansi dueti No, di voi non vo' fidarmi, Quel fior che all’alba ride i duet Ahi, nelle sorte umane objavljeni 40-ih godina XVIII veka primeri su virtuoznog italijanskog pevanja koje je bilo popularno u to doba.

Godine 1724. godine pubikovano je 15 sonata za violinu (odnosno traverzo flautu ili obou) i baso kontinuo, uobicajeno izvoden na cembalu i violoncelu. Medu njima, šest sonata je ustaljeno da se izvode na violini, ukljucujuci sonate u A-duru i D-duru.

Poseban kolorit u izvodenju ovih dela daju istorijski instrumenti, koji docaravaju barokno doba kroz arhaican zvuk crevnih žica i tehniku sviranja baroknim gudalima, znatno drugacijim od današnjih. Konstrukcija italijanskog cembala, za razliku od severnoevropskih instrumenata, takode svojim zvukom približava publici podneblje u kojem je muzika nastala, dok stilsko poznavanje vokalne interpretacije (sa posebnom pažnjom na ornamentaciji) i virtuoziteta u italijanskom maniru predstavlja primer vokalnog stila prisutnog u svim Hendlovim operama i oratorijumima.

Damjana Njegic i Predrag Gosta
Presenters: Belgrade Baroque Academy; Belgrade Early Music Festival; Early Music Network; Studio for Early Music; VEMA Vojvodinian Early Music Association
Handel: Ahi, nelle sorte umane
Artists: Jana Jovanovic (Soprano); Dragana Popovic (Mezzo Soprano); Predrag Gosta (Harpsichord); Roni Beraha (Cello)
Ensemble: Belgrade Baroque Soloists
Conductor: Predrag Gosta
Handel: Sonata for Violin and Basso Continuo in D major, HWV 371/Op. 1 no 13
Artists: Predrag Gosta (Harpsichord); Jelena Rokvic (Violin); Roni Beraha (Cello)
Ensemble: Belgrade Baroque Soloists
Conductor: Predrag Gosta
Handel: Quel fior che all'alba HWV 192
Artists: Jana Jovanovic (Soprano); Dragana Popovic (Mezzo Soprano); Predrag Gosta (Harpsichord); Roni Beraha (Cello)
Ensemble: Belgrade Baroque Soloists
Conductor: Predrag Gosta
Handel: Sonata for Violin and Basso Continuo in A major, HWV 361/Op. 1 no 3
Artists: Predrag Gosta (Harpsichord); Jelena Rokvic (Violin); Roni Beraha (Cello)
Ensemble: Belgrade Baroque Soloists
Conductor: Predrag Gosta
Handel: No, di voi non vuo' fidarmi HWV 189
Artists: Jana Jovanovic (Soprano); Dragana Popovic (Mezzo Soprano); Predrag Gosta (Harpsichord); Roni Beraha (Cello)
Ensemble: Belgrade Baroque Soloists
Conductor: Predrag Gosta
Academy of Music
Novi Sad, Serbia
Saturday, 15 November 2014 - 8:00 PM
Presenters: Belgrade Early Music Festival; Studio for Early Music; VEMA Vojvodinian Early Music Association
Program TBA
Artists: Meila Tome Pichler (Recorder); Predrag Gosta (Harpsichord); Danijela Milutinovic (Cello)
Gradska kuca
Novi Sad, Serbia
Wednesday, 12 November 2014 - 8:00 PM
Presenters: Belgrade Early Music Festival; Early Music Network; Studio for Early Music; VEMA Vojvodinian Early Music Association
Program TBA
Ensembles: Belgrade Baroque Soloists; Orfelin
Conductors: Predrag Gosta; Tamara Petijevic
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